scaramouche: The Death Star from Star Wars (star wars - death star)
[personal profile] scaramouche
I got this Star Wars short story collection eight years ago! But delayed reading it I think because I was put off by one of the stories in The Legend of Luke Skywalker that I found weirdly mean-spirited and feared more of the same. But now I'm determined to clear my to-read shelf, and have also just finished watching Andor season 2 followed by a rewatch of Rogue One and Star Wars, so I am having those SW feelings right now. I just double-checked that the collection was published after Rogue One came out but before The Rise of Skywalker, so it has certain elements pretty fresh in the telling.

As a collection of short content from various authors, the majority being short prose fiction, that follows points of view of characters that aren't central to the plot of Star Wars, it is a mixed bag of:
(1) meandering retellings of SW events,
(2) less meandering retellings of SW events yet still do not add much to my understanding or appreciation of the SW universe,
(3) retellings of SW events that imply a greater hand of destiny/the Force in getting certain events to happen the way they do, as if coincidences cannot just be coincidence, and minor characters cannot just be minor characters whose lives happen to intersect with the heroes but instead whose very purpose of existence is to enable destiny to happen, which makes the world smaller and less interesting to me,
(4) stories that think they're gosh darn clever by being meta;
(5) actually interesting stories (to me!) that spin-off from SW events.

I did really like some! The Kloo Horn Cantina Caper by Kelly Sue DeConnick and Matt Fraction is a fun crime caper style evening in the Mos Eisley port, the Mon Mothma story by Alexander Freed especially hit well after watching Andor, and Stories in the Sand (about a curious Jawa) by Griffin McElroy is one of those outsider POV styles I like. There's a couple of others, but these particular stood out to me.

Also, shoutout to Of MSE-6 and Men by Glen Weldon, which I think might be Ground Zero of the Wilhuff-Tarkin-had-a-gay-affair-with-a-stormtrooper bit of canon that I've seen mentioned here and there? I had no idea, and double-taked when it got to that bit!

Born Yesterday (1950)

May. 11th, 2025 09:17 am
scaramouche: P. Ramlee as Kasim Selamat from Ibu Mertuaku, holding a saxophone (kasim selamat is osman jailani)
[personal profile] scaramouche
I was watching Be Kind Rewind's video essay about the Best Actress Oscar Race of 1950, and the clips she put in of Born Yesterday were so compelling I ended up looking for an online stream to watch the whole movie. I found one! And oh my goodness Judy Holliday is SUCH a delight, what an amazing comedic performance and her delivery is SO good. So good!


Paul: "(I can help) answer any questions."
Billie: "I got no questions."
Paul: "Well, I'll give you some."
Billie: "Thanks?"

The movie itself requires the usual disclaimers for its time, since it's about Judy's character, Billie Dawn, being instructed by her gangster-ish boyfriend to get an "education" so she won't embarrass him in front of his political targets in Washington DC, and Billie has her mind opened to learning by the journalist man said boyfriend has hired to teach her. But it's so kind and empathetic towards Billie, and central to the movie is how education empowers people, and that Billie always had that potential despite no one ever seeing it in her or giving her a real chance.

After watching the movie I went back to finish the video essay, which continues into Judy Holliday's struggle to not be typecast as a dumb blonde following the success of the movie. That gave me pause because it's been so long since I've been conscious of the dumb blonde stereotype, which I would guess is still around in RL communities that have many blondes (i.e. not my own) but have since fallen out of favour in the fiction I consume. I hadn't even noticed that trend, though I had noticed recently that a lot of the live-action media I've watched don't have that many blonde women characters, period.
scaramouche: Captain America's shield & Iron Man's arc reactor; Civil War artwork (steve+tony)
[personal profile] scaramouche
I was looking at my AO3 works list and there were ZERO explicit fics on the first page, so I figured I'd better do something about it.

Fandom: Marvel Cinematic Universe
Pairing/Characters: Steve/Tony
Genre: Iron Man 2-canon divergence, first time, PWP, bottom!Tony, top!Steve, Tony POV
Rating: Explicit
Words: 5000+
Crossposting: AO3
A/N 1: This is a prequel of my front row seats series, of the first time Steve and Tony slept together.
A/N 2: At the risk of overexplaining, the title is a lyric from Breakwater's "Release the Beast", which was sampled in Daft Punk's "Robot Rock", which was used in the party scene of Iron Man 2.

Summary: On the night of his birthday party, Tony makes a move on Steve, expecting that Steve will be scared off and run away. Tony is not at all prepared for Steve to reciprocate.

Time is Right (for You Tonight) )

Book Log: Emperor of Rome

May. 7th, 2025 09:41 am
scaramouche: Ruby Lewis as Scaramouche playing a Red Gibson guitar. (scaramouche hits the riffs)
[personal profile] scaramouche
Another Mary Beard book, yay! Emperor of Rome is a fun one, especially following my previous read of her Twelve Caesars book, and is not a chronology of all the men who were emperors of Rome (Julius Caesar onwards) but an exploration of what it meant to be emperor of Rome with all its expectations and hypocrises and violence, and how that power was maintained. I love that kind of exploration of a historical situation/phenomenon through multiple generations, though

The book covers topics from where and how emperors lived (their villas, the move to appropriate property overlooking the senate), the kind of work they did or made themselves appear to do (paperwork, letters, ghostwriters, though apparently we don't know where this administrative work was done), their public-facing responsibilities (building public monuments, holding events), their war policies (the illusion of military advancement for an empire that can't expand any further), the ways the indulged or were said to indulge (drowning their guests in feathers, stupid luxurious dining rooms with dishes sent by water), the way that the public related to them (graffiti, merchandise, historical pop culture), and all those overarching things. Ancient Rome isn't one of my fav historical topics but I love overarching looks like this, especially in terms of connecting to how modern people remember, idolize and/or sensationalize that civilization, including the idea of totalitarian one-man rule. Totally one of the Beard books I've enjoyed the most.

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